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“Sniper” Is Not A Rank In The Military But A Position Or Specialism. Snipers Are Intensively Trained Warfare Personnel Who Expertly Specialize In Long-range Shooting With Precision. They Go Through Rigorous Training In Marksmanship, Fieldcraft, Camouflage, And Reconnaissance To Turn Out Experts In The Mentioned Fields.
Special Forces Sniper:
A sniper who serves in a Special Forces unit is known as a Special Forces sniper. These are elite military forces with training in direct combat, counterterrorism, unconventional warfare, and reconnaissance.
Special Forces snipers often have to acquire information, eliminate valuable targets, and maintain overwatch during missions. They are prepared to work both alone and in small, expert teams—often behind enemy lines—as needed.
Key characteristics of a Special Forces sniper include:
Akira Hirata Of Million Publishing Appoints Sudo Masafumi As The First Editor-in-chief In September 1979. This Is Where The Editor Responsible For The Bondage Sequences Of S&m Sniper Is A Character, Unlike The Previous Sm Publications That Used A Professional Kinbakushi.
Also, To Give Readers A Different View And To Give The Flow Of The Sm Publications Something Fresher, Professional Makeup And Costumes Were Employed For The First Time. In 1998, Million Publishing Is Renamed To Wailea, And Publication Is Suspended As Of January 2009. The Magazine Started Again As A Quarterly From January 2016.
De Sade Is Not Suitable For Impatient Readers Nor For Pornographic Writing Enthusiasts As He Makes Us Re-read All Of The Arguments And Read Between The Lines. These Readers Shall Soon Tire Of The Enormity And Rigour Of The Narrative.
He Has Actually Taken Considerable Care In Crafting Each Sentence And Elucidating His Ideas Expansively, Even If They Appear To Flow Out Of His Quill Spontaneously. It Is Also Important To Stress The Great Humor Which He—the Author—infuses Into Most Of His Letters And Which, As The Astute Reader, He So Much Delights In.
De Sade Above All Else Is A Philosopher—and Hereafter Is Considered Such In Our Literature—because It Is That His Novels Are, Essentially, Ideas In Writing About Liberty And The Freedom Of Man That Deeply Pained Him.
He Knows That All Acts Are Negatively Motivated By Want. One Must Establish The Difference Between Desire And Pleasure As The Former Kills The Latter. With Every Claim Exists A Counter-claim And, Therefore, Any Statement Without A Counter-claim Is Incomplete. Virtue, For Example, Seems To Be A Frantic Ignorance Of Evil Or The Lie That Conceals Vice Or At Best Vice Created To Glorify Desire.
People Have Been Led To Believe That He Is An Unstoppable Force Of Nature, Beckoning All People To Sin And Profanity, Chaos, The Initial Amalgam, Lack Of Sexual Distinction, And Blasphemy. Offending God Seems To Be The Only Action To Repel His Negativity. For A Deeper Look, Let Us Analyze The Structure Of The Novel And Its Order.
It Shows Us That The Most Intense Passion Found There Is Always Structured, Deliberate, And Controlled By A Strict Dramatization. This Pre-codes The Sexy Actions, Although They Only Apply When One Is Really Indulging In The Delights, At The Hottest Of Times.
Order Thus Has To Be Restored So No Crime Is Committed In Confusion. This Is Replaced By Strict Accountability, Recapitulating And Verifying The Stockpiles Of Flesh Through Torture And Executions.
The Most Astounding Work In This Category Is “The 120 Days Of Sodom.” It Is A Long And Detailed Catalogue Of Perversions, In Form Not Dissimilar To A Botanical Taxonomy, Followed By The Working Out Of An Algebraic Calculation Of How Many Different Species Are Killed In The Course Of The Story.
Thus, The Composition Of A Text Fulfills The Sadian Ideal: Slow, Tireless Elaboration, Meticulousness For The Taste Of The Tortures, Constant Questioning Of What He Has Written, Searching For The Most Exact, Definitive Term. Hence, One Finds Order Constantly Squeezing Its Duplicate Into An Organizational System Via The Novel’s Fundamental Structure.
The Important Word, Here, Is Order Since, Thereby, The Masters’ Freedom Of Movement Is Constrained Only As Much As That Of The Slaves On Account Of The Ordering Of Desires And Their Consummation. It Is An Ordering Of Carnal Matter Through Affinitive Disorder, And That Is The Most Important Aspect Of Its Sensual Activity.
That Means It Needs To Establish Its Own Order, Namely, Limit Nature And Hence Deny Its Existence. The Object Of One’s Desires Needs To Be Paralyzed, Enslaved, Tortured, Or Killed So That One Is Able To Let It Become Oneself And Begin To Live. One Cannot Let The Object Of One’s Desires Free.
In The Same Body, The Same Desire, The Same Purpose, The Executioner And His Victim Are Chained—man Lives Only To The Degree In Which He Is Able To Change The World; The Subject Exists Only Due To The Constraint It Exercises Over The Other; The Other Is Nothing But An Object.
Yet Another Revelation: “What Is Fascinating Is Off Limits!” The Vocabulary That Speaks The Gesture Is Connected To Sensual Excitement;
All The Incestuous Relationships With Their Confusing Complexities Can Only Find Expression In The «words» That Denote The Things That The Libertines Have Enslaved To Their Desires. De Sade Also Transforms Words Into A Form Of Sensual Act, Raping The Reader, Breaking The Law, Or Confirming A Prohibition.
Master Will Always Be In A Scandalous Situation With Regard To The Common Language He Uses And Will Thus Always Show He Has Taken A Creative License. He Has Even Been Beaten By One Of His Victims In Order To Establish His Identity As The Torturer – Which Was Essential To Be Proven In De Sade’s Universe Of Oddities; It Is The Opposite Of Things, The Opposite Of Words, The Backside Of Females, Etc.
He Uses Both The Right And Wrong Order In His Dialectic. Without A Strong And Unquestionable Front In Place, The Rear Has No Meaning; For Instance, Laws Are Required For Rapists. One Of The Sadian Concepts Is Restraint; One Should Never Take Part, Only Commit Rape.
Because One Can Only Enforce Pleasure—just As One Can Enforce Suffering—on Another Individual. Since Morality Has Taught Me That My Liberty Must Stop Where Another Person’s Starts, Thus Imposing On The Other Person Is The Whole Of My Actual Liberty.
The Sufferer Must Also, At All Times, Be In The Tightened Hold Of Pain And Death Since, By Doing So, His Passing Sanctifies The Futility Of The Endeavor To Live. Whereupon Does De Sade’s Fine, Exquisite Flesh Come Off, That Resists The Most Horrible Tortures For Months At A Stretch Without Ever Fading?
It Is Necessary To Avoid Habituation Of Losing One’s Creative Energy And, Therefore, To Constantly Come Up With Something That Is Beyond The Limits Of The Permissible So That The Victim Would Not Get Used To The Pain Or Pleasure, And The Torturer Would Not Become Tired Of Having To Deal With Them. Once Some Exactions Were Permitted, New Ones Have To Be Thought Up.
Another Peculiarity Of The Author Is The Extension Of The Story. He Appears To Trudge Along The Text Conventionally, Adding New Elements Or Just Elongating Elements That Are Already There. Thus, Justine Encounters New People Who Prompt New Narratives But Also Reunites With Old Friends Once More, Forging A Kinship That Prevents The Text From Torn Apart.
The Performance Includes New Knowledge. We Publish All Your Stories, Dreams And Disappointments In Both French And English. Since This Is Your Magazine—secret—we Never Produce Anything. We Offer A Space To Our Readers.
We Are A Platform Where Everybody Is Free To Express Themselves When It’s Reasonable, Secure, And Respectful. Thus, You, As Readers, Take Action And Give Us Your Fantasies And Tales So That Other Readers May Enjoy Them As Well.
They Badly Needed A Wardrobe Mistress, As At Their Age It Wasn’t Only Clothes That Made The Man, But When Worn Correctly, Could Conceal A Multitude Of Sins! Angela Had Been Hired By The Agency Representing Elderly Rock God Jonny Hansen In A Last-ditch Effort To “Sex Up” What Was Billed As His Final Tour.
Of Course, Angela Had Heard A Great Deal About Johnny H. A Product Of The Old School, In Which The Phrase “Nothing Exceeds Like Excess” Was Never More Appropriate, His Legendary Anger, Megalomania, And Drug Abuse Were Hardly News.
Angela Had Seen Both The Best And Worst In Her Short Time In The Business, And She Had No Doubt Which Category Johnny Hansen Fell Into. But Opening For Johnny’s Tour Would Bring In Some Fast Money, And The Independence To Do Any Tour She Wanted In The Future.
Not To Mention, Angela Knew That Most Of Her Skill Would Be Used Making The Men Around Johnny Appear Somewhat Credible, But He Himself Didn’t Require A Lot Of Work-and Though She Hates To Admit It, She Has To Admit That Old Johnny H Was A Hottie.
Angela Had Spent Many A Late Night Watching Johnny Dance Through One Of His Films While Holding One Tiny, Firm Breast In Her Fingers. The Tall, Fiery-haired Vocalist Had Not Yet Suffered From The Effects Of Twenty Years In The Industry.
He Had Cat-like Agility As He Scurried Over The Stage On Long, Taut Legs, Hopping And Undulating. His Muscular, Hairy Chest, Perpetually On Display, Glistened With Just The Right Amount Of Perspiration And Limelight.
His Ass Mesmerized Her As He Spun In His Seat Every Chance He Got Around, Revealing His Really Nice, Round Behind To The Camera On A Disturbingly Consistent Basis. Of Course, He Was A Boy; Of Course, He Was Just An Old Man Terrified Of Middle Age; No Doubt He Was An Overweening Misogynist.
Indeed, Angela Would Sacrifice Almost Everything To Help The Man On Or Off His Trousers! Was Taking The Job Her Only Alternative? The Following Thursday, They Met At The Airport. A Blurred Introduction Exposed Her To The Band Members, A Publicist, A Plump, Cloudy-eyed Road Manager, A Couple Of Roadies, And Then, Finally, Johnny Hansen.
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